Something I've come across a few times is that even at 100% opacity, the shadow is just not dark enough. A simple and fast trick is to just hit Apply again.Ī neat example of feathering is something like this silhouette below. Now, this is the scene without any feathering and as you can see, it could use a little more something. With the grouped objects selected, head up to Filters > ABCs > Feather. That should give your objects a neat lighting effect by blurring only the edges of your shapes. A regular blur would blur all of the inside details as well. Perhaps this feathering looks a little too strong, so let's go over how to edit filters. Go to Filters > Filter Editor to bring up this super overwhelming box of options. So to edit the filter we've just applied (the feather) just select it under the Filter menu. This will bring up all of the individual variables that make up that particular filter. In this case, we want to turn the overall blur of the feathering down, so select the Gaussian Blur effect. ![]() On the bottom, you'll see the Effect parameters tab that holds the options for that Gaussian blur. Finally, you can go ahead and adjust these options to your liking (I only turned it down a bit). Here's the final feather filter with the adjusted blur options. Look at the apple just floating in the air below. It doesn't look like it's flying towards the pile like it's supposed to, does it? Well, let's use motion blurs to convey that motion. So let's select our object and head up to Filters > Blurs > Motion blur, horizontal. There's a good chance we'll want to adjust the intensity of this blur, so let's get that Filter Editor opened up if you don't have it up still. Now that we're a little more familiar with this, we can easily select our filter, Gaussian Blur effect, Effect parameters, and adjust our options. In this case, you'll see that only the top bar has a value (horizontal) because the bottom bar is the vertical parameter for the motion blur. I cranked my horizontal parameter up to 13 - I want this thing really cruising! Step 4Īfter we get our blur parameters set along with a little rotation, this apple finally looks like it's obeying the laws of gravity. This is a really neat effect that combines a couple different Filters. First, let's draw a square with a blue fill with an Alpha value of about 45. The stroke doesn't matter too much, but a thick silver stroke will do just fine. With that square selected, click Filters > Overlays > Frost. The standard parameters for this should be fine. Now what we're going to do is use a group of objects for the subject to place behind our little window square. So select the objects and click Filters > Blurs > Noisy Blur. Then, just place those objects behind the window. Why is my Wide lens getting the flare in the bottom of the image? Wide Lens | Tele Lens | Superfish Lens | Macro Lens| Anamorphic Lens The possibilities are endless with filters, so hopefully this provided you with enough tips to unlock your creativity with filters.If you haven't already, you'll want to check out our Getting Started pages, which we've thoughtfully curated with the best tips for getting up to speed with your new lenses: We went over some basic filters and we combined some to create a neat design. ![]() ![]() There are a couple things that can cause the dark corners with your lenses, so please try the following: Why am I getting dark corners with my Wide lens? The M-Series Wide Lens is our most advanced, multi-element design and because of its curved surface it can generate subtle lens flare in certain lighting conditions, typically when it's hit with direct light from above or from the side - this can happen with any lens in the right lighting conditions. ![]() Please make sure the lens is rotated 90 degrees.Please make sure the case is properly installed on the phone, ensuring to push the phone up from the bottom so it sits at the top of the case.
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